KNOLL DESIGN SOFA LARGE
FRONT VIEW
SIDE VIEW
SHOP
PRODUCT DETAILS
CLOSEUP VIEW
DESCRIPTION
Frame:
SOLID WOOD WITH A SPECIAL CONNECTION
Padding:
HIGH DENSITY SPECIALTY FOAM
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Base:
HIGH-GLOSS STAINLESS STEEL CONSTRUCTION
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Reference:
SPECIAL ANILINE LEATHER
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Seat Cushion:
SQUARE LEATHER PIECES SEWN ELABORATER
MEASUREMENTS
PRODUCT SIZE
PRODUCT BOX SIZE
MATERIAL
Aniline leather is a type of leather in which high quality hides have been treated with aniline as a dye. This produces a delicate, soft, supple leather. Typically, leather is colored both for aesthetic reasons and to conceal blemishes. However, aniline leather is not colored. It is a transparent chemical. This allows the leather to breathe better, making the leather more comfortable in both hot and cold weather.
AVAILABLE COLOR OPTIONS
ORDER FREE CATALOG
COLOR VARIATION
BLACK LEATHER
WHITE LEATHER
BROWN LEATHER
RED LEATHER
CREME LEATHER
COGNAC LEATHER
SHOP
THE DESIGNER OF THE ORIGINAL
Florence Knoll
While a student at the Kingswood School on the campus of the Cranbrook Academy of Art in Bloomfield Hills, Michigan, Florence Knoll Bassett (née Schust) became a protegée of Eero Saarinen. She studied architecture at Cranbrook, the Architectural Association in London and the Armour Institute (Illinois Institute of Technology in Chicago). She worked briefly for Walter Gropius, Marcel Breuer and Wallace K. Harrison. In 1946, she became a full business and design partner and married Hans Knoll, after which they formed Knoll Associates. Florence Knoll herself designed chairs, sofas, tables and casegoods during the 1950s, many of which remain in the Knoll line to this day. She was at once a champion of world-class architects and designers and an exceptional architect in her own right. As a pioneer of the Knoll Planning Unit, she revolutionized interior space planning. Her belief in “total design” – embracing architecture, manufacturing, interior design, textiles, graphics, advertising and presentation – and her application of design principles in solving space problems were radical departures from the standard practice in the 1950s,
INSPIRED BY SAME DESIGNER
KNOLL ARMCHAIR
KNOLL SOFA, SMALL
